"But I learned a lot from Robert Bly about how Monster-sized men approach, and an idea was the gifts," Mr Rylance said referring to the poet and translator. "Two Sundays later I went back, this time with a bottle of whisky, and he was very nice."
Inside the House were three teenagers smoking joints and celebrates the birthday of rabenschwarzem, 17-year-old beauty who was Mr a bedroom had been, because it not to get well with her mother. After three hours away, Mr Rylance was understand, Mr lay's own, inexplicable lust, surrounded with young people.
"Sometimes, your parents can not see, what's special in you can't see, the gold in the mud of your life, but another adult can," Mr Rylance said in an interview as he prepared for the Broadway version of "Jerusalem," now in the previews. "This is Hahn's great gift." The truth about people eating as we eat bread. "He calls that around him, burning on their full gas, oil fields within themselves produce children and be flaring."
Mr Rylance is too modest to describe than to full burn, but New York theatre-goers know nothing else. Mr Rylance the rare role in another leading feat in the same season (and at the same theater) reach three months after the Broadway revival of "La bête" to concluded the music box theatre, best known for his Antic, 25-minute monologue as a street performer Valère is. As a result, many Broadway insiders believe that he could end up next month with two of the five nominations for the Tony for best actor. He won 2008 for his first and only other appearance on Broadway in the revival of "Boeing Boeing", Tony and his work in "Jerusalem" has been blessed with virtually every possible superlative where is often described Mr. Rylance, at 51, by theater critics in London, as the best theatre actor of his generation.
As well as a the more eccentric. As a young talk he 6 not in complete sentences, until he, was because he had difficulty sounding words; Instead, started it a lifelong immersion in fantasy and make-believe act play with other children, who helped him learn how to speak. Adoption of the Tony in 2008, he confused many watching the CBS broadcast of reciting one obscure poem of conformity of the Midwest American writer Louis Jenkins. Mr Rylance has provided the authorship of Shakespeare's work in question and even wrote a piece about this doubt, with the title "which show BIG secret live - I am Shakespeare webcam daytime chatroom." And during a two hour interview he extensively from Paul Kingsnorth's book "real England: the battle against the bland" read, and Brewery seemed almost giddy over companies like local pub after local pub people had to where once nights their meals enjoy and share stories spent next to a roaring fire to explain.
Enter tap Byron. He is tragically Falstaffian heart of Mr. Butterworth three hours Elegy for old England, where forests were the rule of the fairies as Shakespeare's Oberon and Titania, the rascals as Robin Hood and, now, Mr Rylance antihero. "Jerusalem", in other words, is about very English things, yet the game can resonate well with American audiences. Mr Rylance and his producers least at hope so, because - Broadway's significant Anglophilia notwithstanding - the "Jerusalem" a full recognition depends on understanding the socio-economic trends, Mr Kingsnorth put in "Real England."
"Is worried every one of US as"Jerusalem"will be on Broadway," said Mr Rylance, in an Edwardian armchair in the lounge of the hotel Algonquin, take bundled his shoes and stuffed his female feet at its base. "People understand are the dialects?" People will understand that it is not about Palestine and Israel?
"I wish only audience without be said to experience what they are without the producers concern, whether we could have the right posters and words outside the theatre, come." But the financial risk is so much greater than in London here. "
As seen through an American lens "Jerusalem" is a classical libertarian showdown at a level. A former Evel Knievel-like daredevil Hahn lives for 29 years in a mobile home in a Wiltshire wood in the South-East of England, but the Town Council moved away to him because his patch are sick wealthy home owners. Hahn is a type of Pied Piper, drawing the young and old with its clearing - partly for his drugs, but also because he a romanticized embodiment of the William Blake used is again the defiantly patriotic song, the title of the play:
Bring me my bow of burning gold
Bring me my arrows of desire
Bring you me my Spears ó clouds unfold,.
Bring me my chariot of fire.
I will not stop of spiritual struggle,
Is sleep my sword in the hand
Til we have built Jerusalem
In England's green and pleasant land.
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